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Marque : ADK

Imprimer la page S-7  
Destination(s) : Sonorisation - Studio

Application(s) : Ampli de basse - Ampli de guitare - Batterie - Chant - Voix - Clarinette et haubois - Conga & Bongo - Cuivres - Cymbales - Flute & Piccolo - Grosse caisse - Guitare acoustique - Overheads - Perc. classiques - Percussions ethniques - Piano - Saxophone - Toms - Trombone - Trompette

Directivité : Cardioïde

Type : Condensateur
En savoir plus :
  • ADK Microphones
  • Description: The ADK S-7 has been designed as a high-SPL, reliable and robust microphone with a “linear” response. It means that when you use the S-7 you will get a life-like, detailed, transient rich sound. The dynamic range was set to allow for relatively heavy sound pressure levels, and the two-way pad enables this microphone to be used with sources up to 150 dB SPL. Keeping digital recording in mind, the noise floor is also appreciably low. The S-7 is a solid, reliable “High-SPL” Studio Microphone that can also be used “Live”.

    Standard Configuration: The Mic, Piano-Black Wooden Jewel Case, and Heavy-Duty All-Metal Ring-Mount

    Applications: Any moderate to high SPL source, whenever a fast, detailed recording desired: All “pop” and “Rock” vocals – with a pop filter (to protect the capsule from strong blasts of air)Brass – with a pop filter (to protect the capsule from strong blasts of air), Drum kit: Toms, Floor tom, overhead and spot mic’ing, including kick drum, Any amplified instruments – Guitar cabs, bass cabs, Any percussion instrument, Stereo/ambient recording, All stringed instrument, Solo/spot recording, Woodwinds

    Polar pattern: Cardioid
    Sensitivity: 12mv/Pa
    Impedance: 150Ω
    S/N Ratio: 79dB (A-weighted IEC 268-4)
    Equivalent Noise Level: 15dB (A-weighted IEC 268-4)
    Max SPL for 0.5%THD: 132dB/ 140dB/ 150dB (0dB PAD/-8dB PAD/-18dB PAD)
    Low Cut filter (HPF): FLAT/ 100Hz/ 150Hz
    Power Requirements: Phantom power 48V±4V