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The MKH 20 is usually used as a main microphone for orchestras and solo instruments, and picks up the natural acoustics of the room, though it does have a much wider range of applications as omni-directional microphones do not suffer from ‘proximity effect’.
Features
- Exceptionally flat frequency response, switchable for near and diffuse field applications
- High-frequency response can be accentuated by means of a pressure build-up ring
- Slightly increasing directivity at high frequencies to adjust tonal balance
- Exceptionally low inherent self-noise
- Transformerless and fully floating balanced output
- Switchable pre-attenuation
- Black, anodised light metal body
Delivery Includes
- 1 MKH 20, 1 MZS 40 shock mount,
- 1 MZW 41 windshield, 1 pressure build-up ring
Technical Data
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Pick-up pattern |
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omni-directional |
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Sensitivity in free field, no load (1kHz) |
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25 mV/Pa +- 1 dB |
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Nominal impedance |
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150 Ohm |
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Min. terminating impedance |
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1000 Ohm |
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Equivalent noise level |
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10 (18) dB |
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Equivalent noise level weighted as per CCIR 468-3 |
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20 (28) dB |
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Power supply |
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48 +- 4 V Phantom |
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Current consumption |
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2 mA |
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Dimensions |
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d 25 x 153 mm |
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Weight |
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ca. 100 g |
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